considering the impact of vernacular construction materials and methods on the future of architecture

Co-founded and organized by
Charlie Firestone & Carrie Bobo

Where building traditions become contemporary technologies.

Vernacular architectural technologies have developed through thousands of years of human experimentation. These technologies made use of  locally available biogenic and geogenic materials to create shelter and provide thermal comfort.  Then, mechanized heating and cooling, reliable electric lighting, and the oil to fuel these systems, seemingly eliminated the need for this knowledge.  

Over the course of the last decade, recognizing the need to create a more sustainable future, we focused on building performance, forming ever better plastic solutions, increasing architecture’s embodied carbon, and inadvertently accelerating climate change. 

Our focus on the future prevented us from seeing the wealth of knowledge we had left behind.  Now, facing a climate crisis, we acknowledge that in order to move forward we must look back, not as historicists, but as innovators. 

What are the contemporary technological opportunities of traditional building materials and methods and how can they be applied en masse?   How might this diverse vernacular knowledge shape a new carbon negative architecture now?

Vernacular:
shaped by specifics of place


Sophisticated buildings will be made of mud.

“On the 40th anniversary of the Smithsonian Magazine, they announced the 40 things you need to know about the next 40 years. Number one on that list was: “Sophisticated buildings will be made of mud”. Emerging Objects explores these frontiers of technology and material using traditional materials (clay, water, and wheat straw), to push the boundaries of sustainable and ecological construction in a two phase project that explores traditional clay craft at the scale of architecture and pottery. The end goal of this endeavor is to demonstrate that low-cost and low-labor construction that is accessible, economical and safe is possible.” - Rael San Fratello

Ronald Rael, known for his teeter-totter installations at the US Mexico border and 3D-printing clay in situ spoke at FutureView’s 2024 Symposium about Vernaculars of the Expanded Borderlands

Collaborators

Trilox

Johan Jönsson

Matthew Adams

New Frameworks

David J. Lewis

Katie MacDonald
Kyle Schuman

Ian Crawford

Lola Ben-Alon

Sandra Piesik

Sydne Nance
Henning Larsen

Ronald Rael

Myrrh Caplan

Are you interested in finding ways to shape truly sustainable architecture?

Us too.

Conversations

01

Erroneous Imitations of Vernacular: A Material Kitchens Approach
Lola Ben-Alon, Columbia Architecture, Natural Materials Lab
Myrrh Caplan, Vice President of Sustainability, Skanska North America

Re-centering natural, minimally processed materials in architecture through research at the Natural Materials Lab, Lola Ben-Alon contrasts energy-intensive, toxic engineered materials with a definition of natural based on locality, low processing, non-toxicity, and community engagement, then shows geo-bio mixes (clay + plant fibers) across techniques like light-straw-clay, rammed earth, and cob. Including a “material kitchen” approach to mix design; 3D-printable earth-fiber composites; a radiant-heated clay-fiber prototype; lightweight, weave-inspired tiles; basket-like printed shells. She investigates erroneous imitations of the vernacular—Styrofoam igloos, concrete yurts, UK mundic houses, and cement render over Hausa earth plaster—paired with student counter-studies - felt-making, non-toxic aggregates, natural pigments. Ben-Alon underscores tactile, hands-on knowledge, vernacular wisdom, and care as foundations for regenerative, equitable building.

02

Future Perspectives on Emerging Habitats
Sandra Piesik
Sydne Nance, Henning Larsen

Founded in Copenhagen in 1959, Henning Larsen now operates in more than 30 countries through multiple international design hubs. Nance highlights recent projects including Mission Rock in San Francisco, a dynamic office building inspired by local geology; World of Volvo in Gothenburg, a mass-timber exhibition center shaped as a welcoming forest canopy; and two Danish schools — Sønderborg School and Feldballe School — that celebrate local heritage through circular, community-centered design and natural, carbon-sequestering, healthy materials like straw and timber. The presentation emphasizes commitment to public space, sustainability, and hands-on collaboration.

03

Vernaculars of the Expanded Borderlands
Ronald Rael
Sean A. Gallagher, Diller Scofidio + Renfro

Architect, artist, and UC Berkeley professor Ronald Rael traces a practice rooted in the U.S.–Mexico borderlands, where vernacular earthen building is treated as an advanced technology. He stewards historic adobe homes, documents contemporary earth architecture, and pioneers additive manufacturing with local, low-impact materials: 3D-printed clay, sand prints, bio/waste mixes, and salt. Rael co-develops software/hardware to scale from objects to 3D-printed adobe structures—from desert pavilions and “Skylos” to parabolic earthen vaults printed by a mobile robot. He closes by exploring AI as a design prompt and arguing for contemporary architectures that hybridize tradition and innovation. Followed by a conversation with Sean Gallagher on climate, place, and indigeneity.

04

Deep South Vernacular: Adapting to a Hot and Humid Climate
Ian Crawford
Schuyler Daniel, Thornton Tomasetti

Architectural historian and preservationist Ian Crawford (University of Alabama) explores how vernacular architecture in the American South embodies intelligence, adaptation, and sustainability. Arguing that “intelligence was once cheaper than energy,” Crawford traces how pre-industrial builders designed for comfort using local materials, climate-responsive forms, and cultural traditions — long before mechanical systems replaced thoughtful design. Through vivid case studies — from French Creole plantation houses to Cherokee bark structures and Auburn University’s Rural Studio — he reveals how passive cooling, elevated floors, deep porches, and flexible interiors shaped resilient, low-energy living. Comparing Samuel Sloan’s 19th-century houses in Alabama and New Jersey, Crawford illustrates how regional adaptation transforms architectural form. His talk closes with reflections on climate change, arguing that as new weather patterns “come to us,” we must recover the vernacular intelligence that once guided architecture’s dialogue with place, culture, and environment.

05

Material Inventories & Adaptations
Katie MacDonald & Kyle Schumann
Tri-Lox

Architects Katie MacDonald and Kyle Schumann, founders of After Architecture and directors of the Before Building Lab at the University of Virginia, presented their research on radical approaches to wood construction and the biomaterial turn in architecture. Their work challenges the industrial legacy of standardized materials—what they call “the straightening of the log”—by reintroducing design as a collaboration with the embodied intelligence of natural materials.

Through projects like Timber Cookies and Sylvan Scrapple, they demonstrate how digital twinning, robotic milling, and low-cost fabrication systems can make it possible to build directly from irregular timber, storm-felled trees, and local biomaterials such as invasive plants or reclaimed wood. Their methods reject energy-intensive uniformity, instead developing democratized, site-specific, and circular construction systems that embrace the natural variability of grown matter. Across their work, MacDonald and Schumann merge computation and ecology to propose a new architectural ethos—one that treats materials as collaborators rather than commodities, reframing craft, technology, and authorship toward a more regenerative future.

06

Unfired Earth
Johan Jönsson
Matt Adams (NJIT)

Swedish sustainable material specialist Johan Johnsson and NJIT’s Matt Adams explored the intersection of vernacular knowledge, industrial innovation, and material responsibility. Johan—chair of the Swedish Technical Committee for Earth Building Standards—presented his work bridging traditional craft and modern construction, showing how clay, timber, and bio-based materials can help address the construction industry’s massive carbon footprint. Drawing from his experience with Médecins Sans Frontières, conservation at Skansen Museum, and collaborations with White Arkitekter, he illustrated how clay plasters, rammed earth, and compressed earth blocks regulate indoor climates, resist fire, and reduce embodied energy while reconnecting architecture to local resources arguing that systematizing processes—not products—can unlock scalable, low-tech building systems.

In dialogue, Matt Adams, co-director of NJIT’s MATS Lab, reflected on parallels in his research on low-carbon concrete, noting that no single material is “the answer.” Instead, architects must design for fit, context, and purpose, combining materials intelligently. Together, they called for a rethinking of construction culture—one where earth and concrete, tradition and technology, craft and science, can collaborate toward a regenerative, climate-adapted future.

07

Biobased Building from Equity to Aesthetics
David J. Lewis & New Frameworks

Architect Jacob Deva Racusin (New Frameworks) and David J. Lewis (LTL Architects, co-author of Manual of Biogenic House Sections) explored how straw can transform building practice toward a more ecological and just future. Racusin presented New Frameworks, a worker-owned cooperative in Vermont that fabricates straw-based wall panels—carbon-storing, fire-safe, and moisture-resilient alternatives to foam insulation. Their work links climate repair with cooperative economics, supporting small-scale, regionally rooted fabrication networks.

Lewis expanded the discussion to theory and form, situating straw within a global “biogenic turn” that reimagines architecture through thick, living walls and circular material systems. Drawing from LTL’s research into bio-based buildings, he showed that using agricultural byproducts like straw could offset up to 8% of global carbon emissions. His design studies tested how straw and timber assemblies might redefine construction aesthetics and ethics.

Together, Racusin and Lewis argued that rethinking where materials come from and where they go can move architecture from extractive to regenerative practice—uniting craft, ecology, and care.

Workshops

01

Grown Intelligence
Katie MacDonald & Kyle Schumann

Drawing from pre-industrial wood construction techniques, land art practices, and conventional sawmilling methods to frame and introduce alternative approaches to building with curving and branching tree specimens.

02

Unfired Local Soil 
Compresses Earth Blocks
Johan Jönsson

Exploring the opportunity of building directly with the clay from beneath our own feet, Understanding compression, assembly, stability, and both fire and moisture resistance.

03

Structural Straw Panels
Field to Frame
New Frameworks

With bales of organic wheat straw participants learned how to frame, insulate, square, and finish a straw panel, using light-manufacturing process and basic equipment and tools, creating high performance construction using plant-based materials.

FutureView:

A movement linking vernacular knowledge with future-facing design.


Future View began as the Future View: Vernacular Technologies symposium (May 31–June 1, 2024). What started as two days of talks, workshops, and lively debate endeavors to be an ongoing network of practitioners, researchers, and students building low-carbon, culturally grounded futures.

Who we are

Future View is an independent, collaborative platform that connects architects, builders, engineers, craftspeople, scholars, and communities. We share methods, test ideas, and champion building cultures that are climate-positive, accessible, and rooted in place.

What we do

Research & Knowledge Sharing — Documenting and disseminating vernacular techniques, material science insights, and contemporary applications.

Practice Exchange — Field visits, demos, and peer learning across regions and traditions.

Education — Courses, public programs, and studio collaborations.

Projects & Prototypes — Real-world pilots that pair traditional knowledge with today’s tools.

Why vernacular now

Because proven local practices—materials, details, and social know-how—offer resilient and low-energy paths forward. We elevate what already works, then iterate with careful research rather than hype-driven “techno-fixes.”

Get involved

Join the network

Attend upcoming programs

Partner with us on research, teaching, or building

Future View: rooting innovation in lived knowledge—so buildings nourish people, culture, and planet.

Contact Us

Charlie Firestone and Carrie Bobo

A big thank you to FutureView’s sponsors and hosts
Please contact us hello (at) futureviewsymposium.com